Showing posts with label flowers. Show all posts
Showing posts with label flowers. Show all posts

Wednesday, August 8, 2012

Wordless Wednesday

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Just a quick post for Wordless Wednesday -- this time I may actually be pretty wordless.  I love flowers, though, can't get enough of them.


This is another pic from Butchart Gardens -- they had the most spectacular showing of roses.  Here's another one from the Butterfly Garden:


I thought these flowers were so pretty -- they were quite big, too.

Well, must stop for now -- happy Wednesday, everyone!

Friday, May 20, 2011

Time Began in a Garden

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Had a great time at Filoli yesterday -- it unfortunately turned out to be quite windy, which was a little disappointing for the photographers, but it was very sunny, so that helped.  You just had to have patience to wait for the gusts to die down . . . 


It's a huge place, and on Artist Access days it's almost empty.  One of the guys in my camera club counted 17 cars in the parking lot -- maybe 20 people in this place that goes on for acres.

They had gigantic foxgloves everywhere, really beautiful.  I took my wide-angle lens (which I almost never use) and got this nice picture of a group of them.  The pictures I got of the grounds are also taken with the wide-angle, but then I changed to the 50mm and 100mm.  I had hoped to take some macros with the 100mm, but . . . wind is not the friend of macro photography.

My favorite thing there, in all the magnificence, is the little vignettes that you can find everywhere.  Here are a couple I especially liked:

[Linkup to Macro Friday]


That last one of the little mushroom I love -- in the midst of all the floral extravaganza, there was one little mushroom growing where a wall met the earth. More will follow, I'm sure, but I'd like to leave you with one of my favorite things at Filoli -- the sundial that says, "Time began in a garden."


It was a beautiful afternoon.  

Thursday, May 19, 2011

Artist Access Day at Filoli

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This afternoon I have a ticket for an Artist Access Day at Filoli, a historic estate with a mansion and huge flower gardens.  Once a month, they let painters and photographers enter when the place closes at 3:30 and stay until 6:30.  It's a beautiful place with unbelievably beautiful flowers and so many lovely vignettes to photograph.  The last time I went, there were probably no more than 30 people in the whole huge place.  I'm going with a bunch of people from my photography club -- we're just going to meet and say hi, then go our own ways.  Here are a couple of pics from the last time I went:


It's been raining a lot here, but today the weather is supposed to be nice -- around 74 degrees and partly cloudy, with little wind.  I hope to be back with some nice pictures to show! 

Wednesday, May 18, 2011

A Flower for . . .

13 comments

. . . my 50th follower!  Thank you, Cherie!  

 [Linkup to Texture Tuesday]

I processed this vintage rose with Flypaper Textures and Kim Klassen's "Warm Sun" texture.  Thanks for the inspiration.

Monday, May 16, 2011

Welcome to the Newly Designed Blog!

14 comments

Well, what do you think?  Leave a comment and let me know!  I spent all day yesterday fiddling around with different possibilities, and I like this one best, I think.

Here's a little yellow to start off your week:

[Linkup to Mellow Yellow Monday]

It's hard to read the quote at this size -- it's from Rumi, and it says, "What was said to the rose that made it open was said to me here in my chest."

Friday, May 13, 2011

I Heart My Son

17 comments

Well, that was frustrating, wasn't it?  Long time no Blogger.  Lost some comments from yesterday's post -- 

Be sure to sign up for the giveaway!  I'll probably run it an extra day or two, because of the down time.

[My Westerland Rose -- Linkup to My Romantic Home]

Anyway . . . last night my son and I had a belated Mother's Day dinner together.  He's 26, lives about 90 miles from me, and has a life of his own, so it's not that often that we get together.  I was so happy to spend time with him (and the mole enchiladas were delicious).

I was thinking about how the roles change over time -- I'm sure that there will be much bigger changes in the future, but I noticed something last night.  Remember when you had (or have) toddlers, and you're always grabbing for their hands?  One of his favorite things to do at about age two was to run away from me in a parking lot -- he thought it was very, very funny to do that, throw his poor mother into an absolute panic.  I'd have to use my knee to hold him against the car while I got my purse out and closed the door . . . and then grab his hand and hang onto it for dear life.

Later, of course, the last thing boys want to do is hold their mother's hand -- by fourth or fifth grade, he refused (and also told me not to say hi to him if I was ever at his school on PTA-related business).  By the teenage years, holding hands, hugging, even being seen with your mom is the last thing you want to do, so that kind of thing was pretty much verboten.  (The one exception was the morning of 9/11, when we sat on the couch for hours, holding onto each other.)

But -- wonder of wonders -- an adult son will allow you to slip your arm through his, to give him a hug, will say "I love you, Mom," and even once in a while say that something you did was good (e.g., you don't totally suck at photography).  Walking toward the restaurant, my arm slipped through his, I felt proud of him and protected and supported and so happy with the man he's become.  I heart you, Devin --      


Wednesday, May 11, 2011

A Texture Tutorial

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Please join the giveaway!

A number of people have asked how I achieve my effects with textures, so I thought I'd do a little tutorial.  It's pretty much the same way as everyone else does them, but it's always interesting how everyone's comes out differently, depending on their style.  Here's the original picture, of some Mother's Day flowers I got:

[Linkup with Flowers on Saturday]

It's an okay picture, but I knew I could make it better.  The first thing I do is clone out any areas of color or brightness that I think will detract from the final image.  In this case, I cloned out the small pink area on the right, and the white lines in the lower right corner; I also cloned out the bud at the top that was going across the iris petal.  The cloning doesn't have to be perfect, because the texturing will cover it.

Next I crop, and in this case, I cropped out some of the areas I'd cloned, so I could have saved myself the trouble :)   (Just thought I'd share my little slip-up, in the interest of full disclosure.)


I liked it better pulled in a little closer to the flowers.  Next, I choose my first texture.  I want to minimize the bright area on the lower left, so I chose a Flypaper Texture called "Tempest Sea," from their Spring Painterly set.  As you can see, it's darker on the bottom, particularly in the left corner:


I float the texture in its own window, and then use the move tool to slide it over the photo, and use the grabbers to resize it.  (In Photoshop, make sure the "Show transform controls" box is checked at the top of the move tool bar).  Once the texture is on its layer over the photo, I click the check mark at the top and then find the blend mode I like -- in this case, I like Hard Light at 74%.  At this point, the flowers don't look great, but that's okay because I'm only looking at the background, and I like the way the bright spot on the lower left is toned down.



Next, I use a layer mask and the brush tool to brush most of the texture off the main subject.  In Photoshop, you create a layer mask by clicking the little square with a circle in it at the bottom of the Layers panel, and then with the mask square selected, I used a soft brush and a setting of about 80% to take the texture off the orange flowers, and a setting of about 48% to take the texture off the blue background flowers. Make sure that black is selected as the foreground color -- black adds the mask, white takes it off (if you make a mistake in the brushing part, just switch to white and you can take it off).  You can see what you're doing more easily by hitting "\", which will show you the mask in orange, as you can see here:


Now I choose my next texture -- "Spring Equinox," again from Flypaper's Spring Painterly set -- I like this one because it will green up the background more, and begin to darken the edges a bit.  Here's the texture, followed by the effect.

The blend mode I used was Overlay, at 100%, and I again used the brush and a layer mask to brush away the texture on the flowers, but not so much this time because I liked the way the texture brightened the flowers.  I decided I wanted to see if I could darken the background even further -- I'm liking the way the orange flowers are really beginning to come forward --  so I chose "Cyprus Haze," from the Tex Box Two set at Flypaper; it's a really dark green, again with darker edges. 



I used Overlay at 84% here, and brushed away maybe 70% of the texture, with this result:



I'm happy with the picture now, but I wanted to try one more thing.  I duplicated the original (bottom) layer, leaving it right above the bottom layer, changed the Image mode to 8 bits (I don't know if you have to do this in every version, but you do in CS5), and then go to "Filters - Artistic - Paint Daubs."  I like the effect that this filter gives -- this is the brush type "Sparkle,"  with the brush size at 10 and the sharpness at 11.  


  

I really like the final effect, so I'm done.  As a last bit of housekeeping, I do the following:  1) change the names of the layers to the names of the textures, so I know which ones I used; 2) save as a PSD file, which maintains the layers (so I can go back and work with it more, if I want to); 3)   Go "Layer - Flatten Image," and save that for web and devices at around 600 pixels on the long side.  (If I'm not using it in the blog, I'll save as a regular .jpg.)  And I'm done!  Here's the final product:


What do you think?  I hope I've explained things well -- if I haven't, just ask and I'll answer.  And please sign up for the giveaway!  You could win this picture, if you like it!
 

Sunday, May 8, 2011

The Iris Show

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I think I mentioned in another post that I enjoy going to flower shows with my camera.  This weekend was the Monterey Bay Iris Society, the most difficult one to photograph.  

[Linkup to Today's Flowers]

The flowers are gorgeous, but the show takes place in a mall, the lighting is terrible, and the backgrounds are worse.  I took about 50 pictures, but only got these few that I could work with.  

This is what I love about textures -- they couldn't fix every one, but they made all the difference for these few.

[Linkup to Kim Klassen Cafe]

I might keep working on the top one -- I'm not too happy with the strong difference in the background color.  What do you think?

Except for the last picture, which uses lovely textures from Kim Klassen,  all textures I used are from Flypaper Textures, which I  love.  Their textures come in very rich colors, which I like, and give the effect of wonderful different materials, stone, sky, fabric of various kinds.  More and  more, I use them with the "hard light" blending mode, because I like to actually see the texture -- I guess there's not much subtlety about the ways I use them :)

I have 38 followers now!  Two more, and we'll have the giveaway.  Join me! :)

Monday, May 2, 2011

Stay Tuned for the Giveaway!

17 comments

I'll be back later with some details, but two more people have signed up to follow my blog, and when we hit 40, I will have a nice giveaway!  In the meantime, here's an oldie but goodie for Mellow Yellow Monday:

 [Linkup to Happy Monday and Mellow Yellow Monday]

P.S. See the prizes in the next post up!

Sunday, May 1, 2011

Sunday Challenge

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I'm putting a picture into a challenge, but I also wanted to offer my readers a challenge -- I'd like to get more followers!  I've been stuck in the 20's for quite a while.  When I get to 40, I will do a giveaway!  If you like what you're reading and seeing, please sign up on the right! 


More later, I hope -- just wanted to get this up for Faded Prairie's "Whitewash" challenge.  I'm not sure this one works, so comments are welcome.  I used Kim Klassen's "Chamomile" and "Sweet Treat 1 & 2" textures.  And this one is for Color Splash Sunday:




Saturday, April 30, 2011

A Perfect Moment

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With every passing year, my memory grows ever more frail.  In class, I regularly reach for a word that is obviously nowhere near the tip of my tongue . . . and it's gone.  Old friends will say, "Remember when we . . . " or "It was so funny when . . . " and I'll have no idea of what they're talking about.  I will say to my Loved One, "Did I ask you whether you put the garbage out, or did I just think it?" and half the time I've only thought it.

 [Linkup to LEM Challenge and Texture Twist]

At the same time, some memories are so wonderful that they persist forever, memories of an absolutely perfect moment in your life.  This comes from about 1971 (of course I have no exact memory of the year).  I was visiting the Berkshires -- my boyfriend lived in New York, and I in Boston, so we would meet in the Berkshires at his  mother's house.  We went to a farewell concert of the Youngbloods at Tanglewood (I think it was Tanglewood).  But here's what I remember precisely:  It was a glorious day, sunny and warm.  We were relaxing on a blanket with our friends.  We had picked up sandwiches from Take Out Alice (the Alice from Alice's Restaurant had by that point closed her restaurant and opened up a takeout place) -- they were pot roast sandwiches, on rolls that were dusted with flour on the top, and horseradish -- I have never forgotten the taste of that sandwich, eaten outdoors on a beautiful day.  And of course, we had the preferred drink of the time -- Boone's Farm Apple Wine (no one drank real wine in those days).

And when Jesse Colin Young began singing "Sunlight," the moment became a perfect one that I would never forget.  The boy I was with  (I'm sure he was a man, but from this vantage point, he was a boy) --  I was crazy about him, the delicious sandwiches and wine, the beautiful day and that song . . . it all combined to create a moment that I will remember until I leave this earth.

Listen to it through your headphones, it's gorgeous.  What's one of your perfect moments?

 

Sunday, April 24, 2011

The Potter's House

4 comments


On Easter Sunday, I'd like to share my favorite gospel song with you -- written and performed by Tramaine Hawkins (and sung as a duet with Walter Hawkins), "The Potter's House" is a beautiful sentiment, that if you are "broken," you can go by the Potter's house, and "he'll mend the fragments of your broken life." 


Happy Easter, everyone.  May your life be renewed as the spring brings renewal to the earth.

Friday, April 15, 2011

Sunshine

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[Linkup to Macro Friday]

I think that today is a count-my-blessings kind of day.  Here is my gratitude list:

1)   My Loved One is feeling much better.  He's been improving every day and now is getting around more and more.

2)   It's a nice, sunshiny day -- not too hot and not too cold.

3)   My "Blaze of Glory" rose is about to burst into, well, a blaze of glory.

4)   Tomorrow I start a four-Saturday class on botanical illustration at the local community college -- I'm very excited about that.

5)   My drawing class has started and I'm happy the way my first pastel drawing (of mushrooms) came out.   The pears . . . not so much, but hey, I've never used pastels before.  And never drawn a thing before 10 weeks ago.


6)   Eight more teaching days and the semester/year is over.  Enough said.

7)   The reception for my exhibit the other day was great -- many people came, they were excited about my work, found it very unusual and interesting, and I got a couple of inquiries about prints . . . it was great.

Well, that's about it for today.  What's on your gratitude list?


Sunday, April 10, 2011

More Flowers

6 comments

Just a couple more flowers for today -- maybe an update later, but both the Loved One and I are pretty exhausted from his week of convalescence, and I'm so far behind at work; I need today and tomorrow to get caught up.



But of course, flowers are calling my name.  Here's another lilac and a little rosebud from my "Blaze of Glory" rose.  If you like roses, it is the most prolific grower and bloomer -- here in California, it blooms most of the  year, wave after wave of blossoms.  It's not my favorite color (pretty much hot pink), but I love that it blooms and blooms.

  [Linkup to Color Splash Sunday]

Have a great Sunday -- 

Saturday, April 9, 2011

I love lilacs --

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I grew up in Minnesota, and the first house we lived in had a row of huge lilac bushes that bordered our yard with our neighbors'.  In the spring, it was amazing, the profusion of blooms, the beautiful scent, the greenest of green leaves . . . 

 [Linkup to Weekend Texture Twist]

We can't grow lilacs in California -- maybe up in the Sierra foothills they can, but most other places it doesn't get cold enough in the winter for lilacs to do well.  People try, but they come out spindly and don't have much of a smell.

So I wait for the little flower place here to put out the sign:  "We have lilac!" and I hurry in to get them, because they disappear quickly.  They're not the best --  they're a little scraggly and the scent isn't strong, but I love them.  I've been waiting for days for them to open up enough to photograph, and while they're not quite there, I couldn't wait any more.  I hope these will be the first of a few lilac shots.

 [All textures from Flypaper Textures]

Note to my fellow photographers:  Jill and Paul at Flypaper Textures have come out with a new set -- the Spring Painterly pack.  They do beautiful work, gorgeous textures and colors.  On these two variations, I've used Citron Vert, Lemoncello, Naissant Border and Giverny -- I'm happy with the way they came out.

Which one works better for you?    Here are a couple more:


[Linkup to Your Sunday Best]



Saturday, April 2, 2011

My Muse? Flora, Goddess of Flowers

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[Louise Abbema, "Flora," 1913]

Over at Shutter Sisters, a great site (check it out), Kim raises the question, "What is your muse?"  For me, I guess it's flowers.  I'm stalking the elusive shot in my garden all the time; my calendar is full of the dates of the annual show of every kind of flower society in Santa Cruz and Monterey counties.  I love to go to those flower shows because they present a wonderful challenge -- they're often held in the high school cafeteria (horrible lighting), people are milling around (can't use a tripod, can't get in people's way), the backgrounds are awful (worn-out cafeteria tables with labels all over them).  I love seeing what I can get in these awful conditions and consequently am tickled to death when something comes out right.

Most recently, I've gone to the Santa Cruz Orchid Society show.  The orchids were fabulous, but the conditions even worse than usual -- it was overcast and rainy outside, rendering the lighting even more inadequate.  Still, it was fun, and I came out with some good pictures, using my trusty 40D and a monopod (one of my favorite camera accessories).  

The background image on my blog is from that day; here's the complete picture:


The flowers on this orchid (I don't know it's official name) are the little orange string-of-beads things -- it's a neat plant.  I really enjoy the ones that have odd little "flowers" -- some of the orchids are very strange.


[Life-n-Reflection, Weekend Texture Twist]


This is a beautiful orchid -- it was sitting right by the window so the light coming in was very nice, and with some judicious cloning, I got it to look pretty good, I think.


[All textures are from Flypaper Textures]
This one came out well, too -- I like the way the flowers look like they're spilling down the frame.  


Although textures won't go far in fixing bad photography, they can be very helpful in camouflaging messy or otherwise inappropriate backgrounds, and they can cover up some of the cloning you will need to do in those cases, to get the attention onto the main subject where it belongs.  


I hope that Flora would be pleased with my offering.


[Sandro Boticelli, detail from "Primavera," c. 1482]